South of Memory
In South of Memory, landscapes, streets, and interiors appear as fragments suspended between observation and recollection. The paintings do not attempt to document a place, but to trace the emotional residue it leaves behind.
Moments of heat, silence, distance, and light return as incomplete memories — altered by time, atmosphere, and imagination. Architecture dissolves into color, figures drift in and out of focus, and spaces become psychological rather than geographical.
Moving between intimacy and disorientation, the works explore how places continue to exist within us long after we have left them. What remains is not the certainty of a location, but a sensory imprint: warm air, fading shadows, fragments of conversation, the feeling of being somewhere both familiar and unreachable.
